In the introduction to this first issue of the Dutch Journal on Culture and Crime, the editors first examine the history of cultural perspectives in criminology and the reasons why this approach is particularly relevant to analyse crime in our globalised consumer societies. Cultural criminology’s social-constructionist perspectives on the key-concepts, culture and crime, are elaborated next, followed by an exposé of the new imaginative meaning of media-studies in our age of information. In the last paragraph the claim is made that, although ethnography plays a key-role, there is a wide variety of research methodologies that can be applied in cultural criminological framework.

Cultural criminology has been criticized for not taking enough notice of classical anthropological debates on the concept of ‘culture’. This article responds to that. It analyses anthropological conceptualization from an initial essentialist to a social constructivist approach of ‘culture’. The constructivist approach can prevent cultural criminologists from focusing too much on ‘exotic subcultures’ and neglecting broader socio-cultural developments. The article treats the structure-agency debate and its relevance to cultural criminology. In conclusion, cultural criminology from a dynamic constructivist concept of culture is best equipped for studying crime and reactions to crime in the current era of globalization.

This article describes and judges the complex and often contradictory dynamic by which boundaries are constructed and transgressed. This dynamic reveals much about power, meaning, and the political economy of crime and control. The author describes the project undertaken by Critical Mass riders and precarity activists. These projects explore the possibilities of drift as collective experience and collective transgression. The pervasiveness of drift in contemporary society, paired with the subversive cultures of drift emerging around new social movements and alternative spatial practices, point toward a new kind of global collectivity.

This article studies community notification of suspects, as in Crimewatch and its Dutch equivalent, Opsporing Verzocht, and on police websites. It explores how these messages frame crime, and how these frames change when police messages are copied by private websites. Publication of suspects by the police is characterized as responsibilization, because it legitimizes the authority of the police and reinforces existing relations between police and the public. The new media, however, undermine the frame of authority as it is presented by the police, either because publications aiming to detect suspects are transformed into news or entertainment, or because private websites select those publications that give room to the questioning of police performance. As for the presentation of the publications, this article compares the Dutch TV program Opsporing Verzocht and the website GeenStijl. Opsporing Verzocht centers around the victim, while GeenStijl presents the subject from an enforcement point of view. GeenStijl users are not addressed as the police’s helping hands, but as autonomous agents of social control, sometimes standing in for the police. Community notification of suspects therefore not only influences detection rates, but also the relation between the police, the public, and offenders in society.

This article discusses tropical deforestation from a cultural criminological perspective, by using qualitative methods such as ethnography and interviews, and by emphasizing the difficulties, dangers and dilemmas of ethnographic research. Case studies include timber smuggling from Indonesia to Malaysia and deforestation for bauxite, soy and timber in Brazil’s Amazon. Also described are meetings with (Dutch) timber traders, policy makers and law enforcers. Tropical deforestation is responsible for a great deal of harm, crime and violence, mainly committed by ranchers and loggers. Victims are humans (including humanity’s oldest societies), future generations (considering the impact on greenhouse gas emissions and climate change) and non-humans (with risks of extinctions).

An analysis of about 2,200 cases of homicides in the Netherlands committed between 1992 and 2006 shows that lethal violence typically results from conflict in symmetric relations in which social rank is ambiguous. The settings of homicides are mostly well-integrated, small communities, including families, rural villages in tribal and agrarian societies, modern urban neighbourhoods, gettos, criminal organisations, and ethnic enclaves. The mechanism that drives antagonism between people in such places is their attachment, close-knit structure, and common features. Earlier, Simmel developed this insight in lethal conflict when saying ‘the more we have in common with another as whole persons, the more easily will our totality be involved in every single relationship to that person, hence the disproportionate violence to which normally well-controlled people can be moved within their relations to those closest to them.’ Contemporary sociologists, ethnographers, and historians amply corroborated this view of lethal violence. In his comparative work Gould shows a compelling connection between ambiguity of social rank and lethal conflict. Knauft investigated the high homicide rates in a New Guinea community and found that lethal violence resulting from sorcery attributions is not the anti-thesis of the ideal of ‘good company’ but its ultimate culmination.

In this interview with René van Swaaningen Jock Young discusses the development of his work from the ethnographic work in Notting Hill that in 1971 led to the The Drugstakers, to the New Criminology of 1973 and Left Realism that emerged in the early 1980s. In his current work on cultural criminology Young invites us to take a closer look at the work of C. Wright Mills on sociological imagination and the power elites and Robert Merton’s on social structure and anomie. According to Young this would make a forceful critique of the current policy-ridden and a-theoretical state criminology is currently in.

The intensification of scientific competition and the availability of scientific knowledge on the internet seem to be rendering the notion of intellectual property obsolete. Conventional citation- and referencing practices through which intellectual debt is acknowledged are increasingly being ignored or undermined. In this essay, it is argued that these conventional citation- and referencing practices represent valuable norms of scientific conduct and, therefore, are vital to the scientific ethos of free and independent scientific research. For this reason, editors and reviewers need to accept their responsibility for educating the next generation of scholars to respect conventions for acknowledging intellectual debt.

Atlas of the Conflict by Israeli architect Malkit Shoshan presents a fascinating historical analysis of a difficult relationship between Jews and Palestinians. It shows, in maps and diagrams, a great discrepancy in perceptions of both people on such issues as borders, land, heritage, water and settlements. Visual research methods, which are used in this project, are important and innovative to get a deeper insight in the nature of this conflict. However some questions about misuse, propaganda and manipulation of information and symbols remain open and can lead to an important discussion in cultural criminology on the relationship between conflict and culture.